This blog is about: Creating test paintings until they come out of your ears, and a good approach to working with tracing and transfer paper. Test Paintings Have you ever had an idea in mind but no clue how to approach it? This can happen if you are trying to paint something that doesn’t exist or it exists but looks very different from the way you want to show it. I found this dilemma with “Autumn in The City”. The…
Do you know the feeling when you go for a walk and you see all these beautiful autumn colours and you want to paint them immediately? While you are walking you are thinking of what colours you have in your palette that might do the trick. A gorgeous autumn scene is already developing in your head and you can't wait to put it down onto paper as soon as you get home. For several years I wanted to paint these…
Today, I finally finished Hot Chips Are Mine! Since the lockdown has started I could take advantage of the unexpected time available in my studio to paint. Still, I miss teaching and therefore thought I might share how I created this painting. I know it’s a watercolour painting but most of the principles apply to oil and acrylic painting as well:
Due to the lockdown in New Zealand I can't show you any photos of plein air painting or other events/locations, however, I can show you a photo of my favourite place: my studio. Happy Easter!
The Nelson Centre for Musical Arts (NCMA) and Wall To Wall Art Gallery have been collaborating in an exciting new project called Art + Music. Artists were invited to paint or draw during one or two lunchtime concerts, experiencing some of Nelson’s finest classical musicians during Schubert’s “2 Cellos” String Quintet in C major, andAmerican Songs and Arias. The two concerts for Art + Music = have now come and gone. What an experience not only for the artists, but…
13 February – 13 March 2019 [email protected] Gallery, Nelson It’s all About Colour or the Chicken or the Pear "Recently I started reviewing why I like some paintings and not others. The same question I asked myself about my painting subject. Why and how do I choose what to paint? I always thought it was contrast, light and dark, but it turned out to be incorrect. What I truly like is colour and shape. Every artist is evolving during their…
Why “The 100-Foot Journey”? I have been a watercolour artist for many years, with intensive training in watercolours and drawing, and working mainly in the studio. About one year ago I decided to add oil as a medium, since it is perfect for painting plein air painting (meaning outside vs. the studio). Ross Whitlock inspired me to do a painting a day, well “inspired” is not the right word: “This is your homework and I want to see 60 paintings…
